Gotthard
| Goldschläger I | |||
| Goldammer II | Antille | ||
| Goldfisch II | Flugfeur II | ||
| Flugamme | Amakosa | ||
| Gotthard | |||
| Amulett | |||
| Amateur I | Alcansa | ||
| Ampa | Altobitz | ||
| Ameline | S 3105458 |
Born 1949 Died 1978 - Grey, 16.11/2 hands
Breeder - Richard Kords
Gotthard is truly one of the greats. For seven years he was the leading
sire of showjumpers in Germany - and his influence continues to the present
day. During his time he sired over 34 licensed stallion sons - the most
highly rated of which was Goldberg who was based in Westfalia alas for
only four seasons. In Hanover, Gardestern I was the most important, while
the private stallions, Goldpilz, Goldstern and Godehard were all influential.
Gotthard was also influential as a mare sire and he was responsible for
26 States Premium mares.
He was the sire of international showjumpers, Goya, Goldika, Gonzales,
Galipolis, Queensway Big Q, Goldfink, Golden Gate, Graf Sieno
and Graf 2. Gotthards son, Genever sired Genius, the World
Cup Showjumping Champion of 1992. Another son, Goldpilz is the
sire of John Whitakers Gamon. Gotthard has also been influential
as a broodmare sire, another World Cup winner, The Natural (by
Diskus) is out of a Gotthard mare, and Voltaire, the hugely influential
Dutch based Hanoverian jumping sire, was similarly out of a Gotthard
dam.
Gotthards progeny were wonderful jumpers, but were rather stiff
and untalented for dressage.
Gotthard was by Goldfisch II who was the sire of nine licensed stallion
sons and who is the grandsire of another great, Grande. Goldfisch II
descends from the nineteenth century Thoroughbred sire, Goldschaum. Goldfisch
II had a reputation for producing beautiful horses and good movers, yet
neither of his most famous sons had exceptional conformation - Graf was
a small chestnut, like his son Grande, while Gotthard was not the most
elegant of horses.
The great breeding expert, Werner Schockemöhle
described Gotthard as lucky to be accepted into the
stallion ranks at Celle. "At the time he was not really ready.
He looked weak and lacking in his expression - he was not developed
sufficiently in the shoulder and in the formation of his neck.
No-one could guess at the time how lovely and expressive the horse
would be ten years later. The fully matured Gotthard impressed
through his perfect shoulder and his perfect neck, and even his
head could be classed as nice - even though he had a few too strong
cheek bones from his Arabian ancestry, otherwise the head was
clear and dry with a wide forehead and a lovely big eye. His croup
could have been a little longer and a little bit more sloped in
the top line. His hind legs were quite good but you have to admit
that his hocks could have been better."
On his dams sire, Gotthard descends for the Shagya Arab
line of Amurath - also influential on the dam line of another
influential sire of jumpers, Ramzes.
When he was approved in 1951, Gotthard seemed short framed, insignificant
and stocky and it is not surprising that he was not particularly popular
(indeed he was put over all sorts of mares, including cold bloods and
Norwegians) - from 1956 to 1960 he was not used at all. It was not until
his daughter, Goldika (out of a Mecklenburg mare with no papers) started
her sensational jumping career with Gert Wiltfang that the breeders found
him attractive. Eventually he was to produce over fifty horses to compete
internationally and when in 1975, a list of top stallions was published,
Gotthard was number one in terms of prizemoney won. Eventually his competing
progeny numbered 398, with earnings of almost two million deutschmarks.