
Hopefully by now regular readers of this series will have
a better understanding of what makes up our deep postural
(or core) muscles and how improving the stability of these
muscles is vital for riding improvement. In the last part
of our series, we look at ways a lack of stability in the
core can present itself in the upper body.
Classic text books and good riding instructors
emphasize that to ride well means having an independent
seat and effective leg aids with subtle rein aids. So my
question was - why can’t I make this happen in the
saddle? Why does it feel like I need to balance myself with
a strong rein contact? Why do the reins keep getting ‘pulled’
out of my hands? Why is it that every time I do a half halt,
my upper body moves forward as I give? Why is it that I
can’t seem to get my elbows back by my sides and that
sometimes my arms are too straight? Why does Larissa keep
mentioning that my hands are moving up and down as I sit
trot and my elbows seem too rigid? Oh, if only having the
head knowledge would make my body cooperate!
One of the key issues Anna Louise identifies in many people,
from riders to footballers, to sedentary workers, is that
if you lack control at your base you will use muscles higher
up the chain to compensate. For riders this means that if
you lack stability in the saddle, you will try to gain control
by making the upper body ‘stiffer’ or more stable.
Her summary of this for riders is:
IDEAL COMMON COMPENSATION PATTERNS
Stable Seat 1. Unstable core
Good leg control 2. Overuse of legs
Soft arms 3. Rigid Arms
Relaxed breathing 4. Breath holding/elevated shoulders
My initial sessions with Anna Louise had focused very much
on activating my core muscles and doing exercises to make
my legs work more independently. Now it was time to work
on the upper body. In fact, Anna Louise identified that
the same thing was happening with my upper body as with
my legs. I lacked the ability to move my arms independently
and softly because I didn’t have the core stability
to stay balanced in the saddle without a strong rein contact.
Also, I was unable use my arms without compensatory movement
in the rest of my body. Even with the heightened sense of
core stability that I was developing, I still had some ingrained
movement patterns that needed to be replaced with more effective
patterns using my core as a basis of stability.
Remember: None of these stretches or exercises should be
painful. You should feel a muscular stretching feeling,
or a slight overload in the muscle, without pain. If you
feel any pain or if you are uncertain if these exercises
are appropriate for you, consult your local physiotherapist
or general practitioner.
All of the exercises shown here were developed by Anna Louise Bouvier, creator of the Physiocise Exercise program.
STEP
ONE - Learn Soft Control
So how do I let my arms go? The first exercise that Anna
Louise recommended was the ‘soft arm’ exercise
(Photo 1). The goal of this exercise is to move the arms
in a soft, gentle swaying motion (making a figure 8 shape
in the air) with an open, level shoulder position and without
compensatory movement in the legs or torso. To do this,
you must first activate your core by imagining the ‘pea
drawing up the straw’ feeling with each out breath
(see Part 1). I do this exercise sitting on a fitball, as
you can tell much more accurately if there is compensatory
movement in the rest of the body (but it can be done on
a chair, when standing or even when riding). Anna Louise
originally developed this exercise as a way to get the NSW
Waratahs to use their arms more independently on the rugby
field. I figured if it was working for the rugby players,
maybe there was something in it for me! It was amazing how
difficult it was to move my arm softly. At first I stiffened
through the whole upper body and was holding my breath.
I had to constantly remind myself to be soft through the
shoulders and back and allow my body to feel stable through
the core. Interestingly, it was easier to make a smooth
rhythmical pattern with my right arm than my left. (This
corresponded with one of my riding issues - I found riding
on the right rein more comfortable than the left.)
STEP TWO – The Horse Simulator
Next, it was time to add some reins. Using a Thera-Band
for resistance, Anna Louise had me anchor the band around
a table leg then pretend I was riding. When I first used
the reins as I would to ask for more bend, my opposite shoulder
came forward to compensate (Photo 2). In Photo 3, you can
see how this exact same pattern happens in an incorrectly
ridden shoulder-in. In this photo, Larissa demonstrates
that if you try to create the shoulder-in by pulling on
the inside rein, the outside shoulder will often come forward
and down and, to compensate, the inside leg will move too
far back.
To improve upon this, I worked on keeping my shoulders level
through activating my core muscles. It really helped to
time the rein movements with my breath (‘exertion’
or ‘take’ timed with the out breath as we have
discussed previously) which switched on my pelvic floor
and transverse abdominus muscles. (Photo 4) Then, I combined
the feeling I was developing through the soft arm exercise
to soften the feeling of the ‘take’. In Photo
5 you can see how much more stable Larissa looks as she
keeps her shoulders level which allows the inside leg to
stay long and effective. Remember that the idea of doing
this type of work off the horse is to create new feelings
and new movement patterns that will eventually become automatic
when you are riding. It takes patience and practice, but
it really does pay off as you see your riding improve!
How is your natural posture affecting your riding?
Another common incorrect riding position is having slumped,
rounded shoulders. If you are a Slumper* in your everyday
life this will reflect in your riding position. In Photo
6, I demonstrate what a rounded shoulder position looks
like from the back. Notice how much shorter through the
body I am compared to the position in Photo 7 which is a
more correct shoulder position.
* The terms
Slumper, Swayback and Sideways Curver are terms to describe
postures which are addressed in the Physiocise Program developed
by Anna-Louise Bouvier. For more details refer to Anna-Louise’s
book Fix your Back (ABC Books) Available in all good book
stores. Details about these incorrect postural positions
in relationship to riding were discussed in Part 1 of this
series (April 2003).
Slumping, as well as other postural imbalances,
cause thoracic (mid-back) spine stiffness. As your back
stiffens, you will round your shoulders more or develop
other compensatory patterns when you ride such as excessive
leaning, dropping one shoulder more than the other, holding
your upper body with too much rigidity, straightening your
arms or dropping your head and chin forward. All of these
incorrect riding habits can be improved by first stretching
your stiff bits!
How can I stretch my stiff bits and improve my riding?
Start with the seated chair twist (Photo 8). Sit with your
feet shoulder width apart towards the forward edge of a
chair. Breathe in and as you breathe out, gently turn yourself
to the right. Relax the shoulder rather than lifting it
and keep your neck long. Keep your head in line with your
sternum (breastbone). Breathe in again and push a little
further as you breathe out again. Hold for 10-20 seconds,
relax and then repeat to the other side.
In Photo 9, Larissa is doing the same stretch in the saddle.
If you are a Slumper, or just stiff in the back, try doing
this stretch several times to each side before you begin
your ride.
When Larissa sees a student dropping the outside
shoulder going into shoulder-in, she will have them stop
riding shoulder-in and change to a leg yielding on the wall
with outside flexion, moving the horse’s quarters
to the inside. In essence, by changing the rider’s
position to ride the leg yield, she is getting the rider
to do the Saddle Twist stretch while riding. Another really
effective stretch for a stiff thoracic spine is called the
Table Stretch (Photo 10). Place your hands on a railing.
Slowly walk back until you feel your armpits stretch and
the sides of your waist extend. Keep your feet together.
Move your bottom as far away from your hands as you can
without letting your back arch. Imagine your spine is like
a flat table top. Unlock your knees a little and hold for
at least 20 seconds. Relax and breathe deeply as you feel
a lovely stretch underneath your armpits.
Remember, the key to improving your riding ‘from the
inside out’ is first to get in touch with your deep
postural muscles, then stretch, strengthen and learn to
control the other parts of your body around a stable and
active core. Doing these exercises off the horse will teach
your body new motor pathways that will become automatic
when you are riding. The result will be better posture,
beauty and balance both on and off the horse!
(A special thanks must go to Anna Louise Bouvier, the extraordinary
physiotherapist and my amazing, patient riding coach Larissa
Chadwick for their input and support in the production of
these articles.)
Watch for future articles by our Horse Magazine exercise
expert, Lisa Champion, in upcoming issues! Next month, Lisa
looks at Pilates for the rider.
A
thought from Larissa Chadwick……..
So much of what I see when teaching my students is a mirroring
of the movement habits of the rider in the movement patterns
of the horse. If a person is really stiff, the horse tends
to be stiff. If a person is quite sloppy or slumping, the
horse ends up moving similarly.
When I am riding, I am always searching for the balance
between softness in my body with stability and correctness
in my position. I then wait and encourage the horse to mould
his body around my correct position.
I see many students trying to lean, push, pull, collapse,
move excessively and then expect their horse to perform
perfect school shapes.
By looking at the simplest lines – shoulder-hip-heel;
elbow-wrist-bit; shoulders level; hips level; I can see
how my students need to improve. I encourage them to think
of how much their body position and stillness can influence
the horse.
When working on these articles, it became increasingly clear
that the exercises for us humans often mirror the exercises
I get the horses to do under saddle. The suppling, correct
positioning and degree to which I bend or straighten is
all like doing active physiotherapy for the horse.
As you are trying to improve your own riding, my words of
encouragement are: trust your body, work on getting honest
feedback on what you can improve, do the exercises off the
horse, and when you get in the saddle, believe that if your
position is correct it will encourage your horse to be balanced
and move correctly.