{"id":35934,"date":"2017-07-11T14:19:22","date_gmt":"2017-07-11T04:19:22","guid":{"rendered":"http:\/\/www.horsemagazine.com\/thm\/?page_id=35934"},"modified":"2022-08-02T14:16:17","modified_gmt":"2022-08-02T04:16:17","slug":"sauvatjean-louis","status":"publish","type":"page","link":"https:\/\/www.horsemagazine.com\/thm\/whos-who\/sauvatjean-louis\/","title":{"rendered":"Jean-Louis Sauvat"},"content":{"rendered":"<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35935\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/07\/artistworking-e1499745665458.jpg\" alt=\"\" width=\"700\" height=\"525\" \/><\/p>\n<p><strong><em>Jean-Louis Sauvat is not just a painter of horses, he is also a serious rider himself, and has collaborated in illustrating a number of very important books.<\/em><\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41044\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SLegYield.jpg\" alt=\"\" width=\"550\" height=\"628\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SLegYield.jpg 550w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SLegYield-263x300.jpg 263w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/p>\n<p>His illustrations to the bi-lingual (French and English) work, Horse and Rider: Annotated Sketches, by the late Nuno Oliveira, are simply breath-taking, capturing perfectly the poetry of the Portuguese master in word and action.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-70\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2010\/06\/extend.jpg\" alt=\"\" width=\"400\" height=\"382\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41052\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot.jpg\" alt=\"\" width=\"1924\" height=\"1676\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot.jpg 1924w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot-300x261.jpg 300w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot-768x669.jpg 768w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot-1024x892.jpg 1024w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/STrot-344x300.jpg 344w\" sizes=\"auto, (max-width: 1924px) 100vw, 1924px\" \/><\/p>\n<p>He has also supplied brilliant illustrations for three masters, in the series, Les grand maitres expliqu\u00e9s: Caprilli, Baucher and La Gu\u00e9rini\u00e8re.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41042\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/caprilliSauvat.jpg\" alt=\"\" width=\"650\" height=\"760\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/caprilliSauvat.jpg 650w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/caprilliSauvat-257x300.jpg 257w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Sauvat&#8217;s Caprilli<\/em><\/p>\n<p>Jean-Louis has also worked with another great French equestrian artist, Bartabas, crafting the sculptures for his performance, Tryptich, and more recently contributing sculptures and paintings in the re-opened stables of Louis XIV at Versailles.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-41043 aligncenter\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SauvatGueriniere.jpg\" alt=\"\" width=\"400\" height=\"495\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SauvatGueriniere.jpg 400w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SauvatGueriniere-242x300.jpg 242w\" sizes=\"auto, (max-width: 400px) 100vw, 400px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Gu\u00e9rini\u00e8re.<\/em><\/p>\n<p>For Jean-Louis his art merges with his life: &#8220;I started painting people &#8211; nudes and portraits, the relationship between movement and women, and also landscapes. I started painting horses 15 years ago because I was asked by a rider. I had friends who were riders, so it started there.&#8221;<\/p>\n<p>When did you start to work with Bartabas?<\/p>\n<p>&#8220;I constructed the sculptures for Tryptich. Bartabas had seen a small plaster that I had made, and he contacted me because he had the idea of working with sculptures in his show.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41045\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvat2Riders.jpg\" alt=\"\" width=\"650\" height=\"659\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvat2Riders.jpg 650w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvat2Riders-296x300.jpg 296w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41046\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatDancer.jpg\" alt=\"\" width=\"560\" height=\"840\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatDancer.jpg 560w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatDancer-200x300.jpg 200w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatDancer-300x450.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41048\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassage.jpg\" alt=\"\" width=\"650\" height=\"654\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassage.jpg 650w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassage-150x150.jpg 150w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassage-298x300.jpg 298w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41049\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassageNoRider.jpg\" alt=\"\" width=\"650\" height=\"651\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassageNoRider.jpg 650w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassageNoRider-150x150.jpg 150w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSauvatPassageNoRider-300x300.jpg 300w\" sizes=\"auto, (max-width: 650px) 100vw, 650px\" \/><\/p>\n<p>You ride yourself?<\/p>\n<p>&#8220;Every morning, dressage &#8211; for pleasure. I like to start with young horses and work with them for four years, until they are ready for Prix St Georges, and then give them back to the owner. I ride them until they are ready to do the High School movements &#8211; then I give them back, and start again with a young horse. I ride for mysellf, not to go in competitions. My pleasure is to see the horse progress and learn the movements.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-41050\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSculpture.jpg\" alt=\"\" width=\"560\" height=\"842\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSculpture.jpg 560w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSculpture-200x300.jpg 200w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2018\/05\/SSculpture-300x450.jpg 300w\" sizes=\"auto, (max-width: 560px) 100vw, 560px\" \/><\/p>\n<p>And painting horses?<\/p>\n<p>&#8220;I work mosrly on things that I find, the circus horse sculpture in my show, is from a horse that was just tied with a rope by the road and that is the inspiration, just a horse in a little circus out on the road.&#8221;<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-35936\" src=\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/07\/Sauvat.jpg\" alt=\"\" width=\"500\" height=\"750\" srcset=\"https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/07\/Sauvat.jpg 500w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/07\/Sauvat-200x300.jpg 200w, https:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/07\/Sauvat-300x450.jpg 300w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Louis Sauvat is not just a painter of horses, he is also a serious rider himself, and has collaborated in illustrating a number of very important books. His illustrations to the bi-lingual (French and English) work, Horse and Rider: Annotated Sketches, by the late Nuno Oliveira, are simply breath-taking, capturing perfectly the poetry of the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":35938,"parent":14165,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-35934","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/pages\/35934","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/comments?post=35934"}],"version-history":[{"count":6,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/pages\/35934\/revisions"}],"predecessor-version":[{"id":63962,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/pages\/35934\/revisions\/63962"}],"up":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/pages\/14165"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media\/35938"}],"wp:attachment":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media?parent=35934"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}