Kathrin Meyer zu Strohen and\u00a0Kaiserdom<\/em><\/p>\n We certainly had some wonderful horses to observe. Back in 2005, Kathrin Meyer zu Strohen, won the Six Year old Dressage Bundeschampionship, riding the Trakehner stallion, Kaiserdom (Van Deyk \/ Gajus). It\u2019s exciting to see how the combination has been developing.<\/p>\n \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Kaiserdom and Kathrin winning at the Bundedchampionat in 2005<\/em><\/p>\n Kathrin\u2019s husband, Hans-Heinrich, on the mike:<\/p>\n \u201cWhy so many stallions? My wife likes stallions, but sometimes when you have stallions, you have more problems in schooling\u2026 Bend him round the inside leg. We are schooling the body of the stallion.\u201d<\/p>\n In the canter, Kathrin shows a real uberstreichen, not a quick momentary flick, but a sustained release of the rein for four or five strides, and then the horse is back in hand before he decides to do a little tank off:<\/p>\n \u201cThat\u2019s not a problem, he\u2019s a stallion, he must be alive in his head.\u201d<\/p>\n Hans-Heinrich approves of his wife\u2019s pirouette: \u201cSuper pirouette, the neck under control, good in the hand. PRIMA! In the flying change, he lost a little the speed. Forward again, forward again \u2013 train the canter and then you have the movement.\u201d<\/p>\n The horse shows some really nice passage: \u201cHe you see what we have in our system. The clear half halt. The clear rhythm. School the body and the head of the horse and then they can learn all the movements. Don\u2019t train the piaffe and the passage too early. First the basics, the rhythm clear, the body under control, then it comes easy, then you just play\u2026 that is fabulous piaffe, now he must have a rest. We are lucky, they are breeding such super horses these last few years.\u201d<\/p>\n Into the arena came Uta Gr\u00e4f, this time riding her Holsteiner, Le Noir, by a son of Landgraf out of a grand-daughter of Cor de la Bry\u00e8re. This horse has competed successfully at Prix St Georges and Intermediaire I level, despite not being bred, or for that matter, conformed to be a dressage horse. The pair had put on a demonstration on the Sunday at the Bundeschampionate, with Christoph drawing attention to the fact that the rider was getting most of the FEI movements done while riding one handed, but was she getting them done well? It reminded me of one of the classic lines from Joyce Carey\u2019s famous novel, The Horse\u2019s Mouth<\/em>, where the artist hero Gully Jimson observes it is \u2018like farting Annie Laurie through a keyhole. It may be clever but is it worth the trouble.\u2019<\/p>\n Still Christoph loves it: \u201cPhillipe Karl is always criticizing our riders, every day I get an email saying we are on the wrong way with our theory. Uta is a very good example of why this guy is wrong. Look there is no using hands against the bit \u2013 she is using hands to feel the happiness of the horse. The hands are important to talk to the horse, to listen to the horse, the hands are a mirror to the soul of the horse.\u201d<\/p>\n And yes, it was a dear dear very cooperative horse, but was it great dressage?<\/p>\n Obviously in this matter I beg to differ from my friend Christoph, who is of the opinion that: \u201cThis for me is not circus, this for me is the classical way of riding. I can watch this kind of riding day or night.\u201d<\/p>\n Samba Hit was a star at the Bundeschampionate, when he was a reserve champion in the Three Year Old stallion class in 2001 (the year before his full-sister, Poetin had won the championship for 3 year old mares and geldings \u2013 two years later she was to win both the 6 year old championship and the World Championship) \u2013 since then he has progressed steadily through the ranks, brilliantly ridden by Christian Flamm, with the training assistance of Hans-Heinrich Meyer zu Strohen. Now eleven years old, he is on his way to Grand Prix.<\/p>\n Hans-Heinrich says it was not easy: \u201cFor some horses, when they are as huge as this, it takes longer to get everything together, to get the activity and the bend. When you are training a stallion, you have no chance to train him 365 days a year, there is a long time when he is breeding and you can just ride him \u2013 you can\u2019t train him.\u201d<\/p>\n \u201cIt is not easy to get this huge canter more together, the rider must have a top seat.\u201d<\/p>\n For all that it is a lovely big canter and super flying changes. Still Hans-Heinrich is hard to please: \u201cYou can see the jump and the straightness are good but we need more balance, we have to train the horse a little bit going forward, so we don\u2019t get it too short. We need to train the changes a little more out of collection, to get more balance and expression.\u00a0 To get collected canter is hard work for this horse but you will see what is super is that the hindquarters are coming shorter and shorter and more under himself. We must wait a little to get it more under control and more on a place. If we try to force the horse to go smaller, he will lose the balance and the rhythm, and then it is hard for the horse and he gets angry and we lose everything. You can train a horse with activity, but you should not always be pushing.\u201d<\/p>\n next we\u00a0work with a young rider<\/em><\/p>\n <\/p>\n find out more about the CDI click<\/a><\/p>\n Training the Young Rider\u2026<\/strong><\/p>\n The next rider into the clinic is from one of those famous German riding families: Fabienne L\u00fctemeier is the daughter of German international representative, Gina Capellman-L\u00fctemeier and her aunt is former World Champion, Nadine Capellmann. Despite that, she rides very stylishly indeed on her De Niro gelding D\u2019Agostino.<\/p>\n This time, Hans-Heinrich, who is the German Young Rider coach, is paying tribute to the qualities of the young rider. \u201cAs a trainer, I prefer riders who say we will<\/strong>. You must have a horse AND a rider \u2013 if the rider is not strong enough, you lose the competition. At the last European Young Rider Championships, Fabienne was second two times and it was too much for her. I will win the next one. It was very hard, the one who had beaten her was just before her\u2026 \u201coh she has a 77, I must make 78\u2019. She willed this and she did it.\u201d<\/p>\n \u201cJust look to the quarters of the horse, the horse is really stepping under. Don\u2019t forget what we\u2019ve said: walk, trot, canter \u2013 not trot, trot, trot.\u201d<\/p>\n The work from the young rider and her horse is wonderful. Forward, athletic, relaxed. The entire Seminar has been a wonderful showcase for a training method that is simple, logical and horse friendly. A wonderful opportunity to look at the way breeding, judging, training \u2013 and showing \u2013 all combine to produce the horses that we are seeing today: horses of such enormous natural ability and presence.<\/p>\n <\/p>\n Dietrich Plewa: The Way from Advanced to Grand Prix level<\/strong><\/p>\n Another of the key note addresses came from the international judge, and former Grand Prix rider, Dr Dietrich Plewa.<\/p>\n He started out by referring to the \u2018classical v non-classical\u2019 debate that rages in the world of dressage, concluding that while there were many roads to Rome, \u2018the only way to correctly train is the way that respects the horse\u2019s body and soul.\u2019<\/p>\n \u201cTo come to Grand Prix we need an experienced rider and a talented horse. We can look for a horse like Totilas or Parzival, but don\u2019t even too disappointed if you can\u2019t find one. Even a horse with a long back and neck, like Warum Nicht, can come to Grand Prix.\u201d<\/p>\n Dr Plewa started by looking at one of the defining movements of Grand Prix, the Piaffe. \u201cThis is the highest collection, it is similar to trot but in the same place with a short moment of suspension.\u201d<\/p>\n The important criteria are:<\/p>\n In the piaffe, the horse should show supple contact \u2013 quite often the horses are stiff at the poll, or are over-bent, or show tension through an open mouth.<\/p>\n Look at Richard Watjen \u2013 this is perfect piaffe. Who says German horses can\u2019t piaffe?<\/em><\/p>\n Passage \u2013 Criteria<\/strong><\/p>\n Transitions from Piaffe to Passage to Piaffe<\/strong><\/p>\n Criteria: 1. Beat<\/strong>; 2. Fluency<\/strong>; 3. Cadence<\/strong><\/p>\n Transitions from collected to extended trot, from walk to passage or piaffe, and vice versa. Criteria<\/strong>: 1. Fluency; 2. Rhythm; 3. Keeping impulsion<\/p>\n Flying Changes \u2013 Criteria Canter Pirouette \u2013 Criteria<\/strong><\/p>\n Christoph Hess commented on Hanse\u2019s performance: \u201cHere we see an example of positive harmonious tension, we need positive tension otherwise the horse is not sensitive enough to the driving aids. Not negative tension but positive tension. The horse can lengthen and still maintain the rhythm. See the horse is supple. The mirror to the horse is the mouth and the tail, especially in the walk.\u00a0 This is a big of an old fashioned Hanoverian but he shows a very high standard of elasticity.\u201d<\/p>\n Hans-Heinrich is commenting on Kathrin\u2019s work: \u201cIn piaffe, what is most important is a clear two beat rhythm, later the horse can give a better impression, but first the rhythm.\u201d<\/p>\n <\/p>\n \u201cIt is a wonderful picture, an open poll, the horse stretched, this is asking in exactly the right way. This is a well relaxed horse, showing positive tension and harmony.\u201d<\/p>\n <\/p>\n And still the wonderful horses keep coming. Dietrich Plewaa introduces Christoph Koschel riding the 11 year old Fantomas (Florestan \/ Pilot). According to Christoph: \u201cI got him in March this year. When we got him he was trained to Prix St Georges, but I went straight to Grand Prix and this is his first Grand Prix season.\u201d<\/p>\n According to Dietrich: \u201cWe see we don\u2019t need a double bridle to train this horse. Now Christoph is developing the collected canter we need for the half pass (we should note that the horses had all been warmed up outside before being brought into the arena)<\/em> but there is no changing of rhythm and the horse keeps the impulsion. You see the horse is bent through its whole body with a good uphill tendency. In the changes of hand, we see a smooth contact all the time, and fluent flying changes. We judges often see in the one times changes, an ambling canter as the horse moves to a two beat rhythm. You don\u2019t often see flying changes so fluent, so straight. This horse very well fulfils the criteria of the Training Scale: rhythm, impulsion, straight, smooth contact \u2013 able to collect. That is what we want to see, changes that are fluent, straight and with expression \u2013 without being pushed by the rider. I\u2019m sure he could ride this movement with one hand\u2026\u201d<\/p>\n And of course, that is just what Christoph does!<\/p>\n They were certainly beautiful changes, but Fantomas, had an even more astonishing walk\u2026<\/p>\n Dietrich points out that \u201coften in Grand Prix we see horses with a poor walk \u2013 but this horse often gets 9s and 10s for walk. Look you could easily give a 10 for this extended walk.\u201d\u00a0 And guess what? The collected walk is just as clean and defined\u2026<\/p>\n Still the stars keep rolling into the arena. We have Germany\u2019s assistant National Coach, Jonny Hilberath, working with the enormously talented Carola Copellmann on the ten year old Trakehner stallion, Insterburg. The pair starred a few years ago at the Bundeschampionate, but last year, started out in Grand Prix.<\/p>\n Jonny Hilberath is one of the German secret weapons as they prepare to take back the world dressage crown. A Grand Prix rider himself, Jonny is a real horseman, and seems to have the knack of getting the best out of the riders. He is enthusiastic about Carola and her horse:<\/p>\n \u201cI like a lot the natural elasticity and cadence. This horse is well-connected in his body, he must be a pleasure to ride\u2026 and this is a very attractive combination, which helps. We see that the horse trots in the same rhythm sideways as he does forward, this is not the rider, this is the horse\u2019s own self carriage.\u201d<\/p>\n Like all the trainers we\u2019ve seen at the Seminar, Jonny is quick to give the horse a breather. \u201cThey need breaks so the horse\u2019s body and soul can refresh.<\/p>\n \u201cThis horse has a natural dynamic in canter with a very good forearm. This is the ideal canter, not too big. \u00a0With Insterburg, he is so naturally collected, we always have to remember to open his frame.\u201d<\/p>\n Carola is riding Insterburg in a series of\u00a0 short half pass diagonals. Even the coach is impressed: \u201cI would be very happy if I could ride half passes like that in my own test\u2026\u201d<\/p>\n \u201cThis horse has just started Grand Prix,\u201d Jonny explains, \u201che has improved a lot over the past few months. I am very excited about the future for this couple.\u201d<\/p>\n In thanking Carola for her display, Christoph remembers that the idea for this Seminar started three years ago, when we brought a group of Australians on our THM Sporthorse tour to Warendorf: \u201cThank you Carola, and the Australians, because three years ago, we had Carola and her horse, and we ran a little seminar for the Australians, and it worked so well, we thought, why is it just for Australians? And that is how we are all here now.\u201d<\/p>\n Last rider of the day is Hubertus Schmidt, read on..<\/p>\n Find out more, click on the links… Hubertus Schmidt \u2013 Piaffe and Passage<\/strong><\/p>\n There is a weird sound coming through the speakers, relax it is just Hubertus Schmidt breathing heavily as he warms up the Dutch stallion, Prego, out the back. The 12 year old chestnut has competed Grand Prix, and Hubertus \u2013 once he gets him warmed up and used to the arena \u2013 is going to talk about piaffe and passage, and demonstrate while he talks.<\/p>\n \u201cI start teaching piaffe when the horse is six years old, because they need to be physically strong. At seven the horse is doing Prix St Georges, and at eight, Grand Prix \u2013 that means you have two years to prepare piaffe.\u00a0 First teach piaffe, then passage. First the horse has to be really sitting and taking the weight \u2013 it is easy with a talented horse to collect the trot and go to passage, but it is also easy to get the horse out behind.\u201d<\/p>\n \u201cWe start with a swinging trot, collected and supple, moving through the whole body. For a good collected trot it is not just cadence \u2013 it is a good swinging. When I look at five year old horses, that\u2019s what I ask \u2013 can I make the trot swing through the whole body.\u201d<\/p>\n \u201cIn a balanced, collected trot, I ask for some half passes, this is the best way to be sure that the horse takes the outside rein, and is equally on both reins. 90% of uneven steps I piaffe come from the horse being too strong on one rein. For me, it is important that I can give the inside rein.\u201d<\/p>\n \u201cI start piaffe, mostly sitting on the horse although some I start in hand, always from collected walk and just playing, jogging in this walk. There are three really important things in piaffe. One is that the horse has to be always willing to go forward, the second is to play with how high, how low, the horse\u2019s neck is. If you get them up, it is easier to start piaffe, but if you can get them lower, it is easier over their back. The other important thing is that the horse is sensitive to the legs and doesn\u2019t need the whip.\u201d<\/p>\n \u201cIn piaffe, always trot out so the horse keeps the forward. Be careful, sometimes they are uneven, shorter in one leg, and 90% of the time that is the result of not steady contact. So I do a turn in piaffe for two reasons, to the stiff side to loosen the inside rein, and also to get the horse to take weight on the inside leg. At home, I seldom do 15 piaffe steps on the spot, I do seven or eight, forward, a few more, forward.\u201d<\/p>\n Time to move on to passage:<\/p>\n \u201cIt is easier from a swinging trot to get into passage. I\u2019m happy with this passage, not everybody is Totilas! He is steady on both hands, regular behind \u2013 then always forward again. After we have done from trot to passage, the next step is from extended trot to passage. Especially for the young horses, I always like them going forward from the passage.\u201d<\/p>\n read on below<\/em><\/p>\n \u201cIt is very important to prepare piaffe in the passage. Make the passage more active, then sit quiet for the transition. The rhythm is slower in passage, quicker in piaffe, you must give the horse time to change the rhythm \u2013 often riders push too fast in the transitions.\u201d<\/p>\n Hubertus is demonstrating how he prepares the horse for the transition to passage \/ piaffe\u00a0 from walk riding through the short side: \u201cI walk very quiet, it is good for the judges to see the relaxed walk, then I wake him up a little in the corner, so he is ready for the passage, then coming to the piaffe, a little tick, tick with the spur, sit quiet and come to piaffe\u2026\u201d<\/p>\n \u201cThis is the way we like to see it,\u201d exclaims Christoph Hess \u2013 and so say all of us.<\/p>\n It has been a truly exceptional display. I cannot imagine anywhere else in the world that could produce a lineup of speakers, demonstrators, and most of all, horses, like the ones assembled for this first Bundeschampionate Seminar in Warendorf. Christoph Hess is already hard at work planning the next one for two years time \u2013 it should be sensational!<\/p>\n <\/p>\n <\/p>\n Story \u2013 Chris Hector \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Photos \u2013 Roz Neave<\/p>\n","protected":false},"excerpt":{"rendered":" Some of Germany’s finest dressage riders and trainers assemble at Warendorf for one amazing seminar…<\/p>\n","protected":false},"author":4,"featured_media":33678,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[1243,20,1667],"class_list":["post-31610","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-dressage","tag-dressage-training","tag-warendorf-seminar"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/31610","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/comments?post=31610"}],"version-history":[{"count":5,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/31610\/revisions"}],"predecessor-version":[{"id":61534,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/31610\/revisions\/61534"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media\/33678"}],"wp:attachment":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media?parent=31610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/categories?post=31610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/tags?post=31610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/www.horsemagazine.com\/thm\/wp-content\/uploads\/2017\/03\/KaiserdomPic-1.jpg\")
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\nGround cover<\/strong> \u2013 a big jump, not late behind; 2. The Speed<\/strong> \u2013 constant rhythm of canter; 3. Straightness <\/strong>4. Uphill Tendency <\/strong>\u2013 produces expression; 5. Relaxedness <\/strong>\u2013 a relaxed, swinging back. No twisting tail or ears back; 6. Obedience <\/strong>7. Exactitude<\/strong><\/p>\n\n
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\nCrusader lite<\/a>
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