{"id":9410,"date":"2020-10-26T13:10:51","date_gmt":"2020-10-26T02:10:51","guid":{"rendered":"http:\/\/www.horsemagazine.com\/thm\/?p=9410"},"modified":"2020-10-26T13:57:52","modified_gmt":"2020-10-26T02:57:52","slug":"civilised-riding-george-monica-theodorescu","status":"publish","type":"post","link":"https:\/\/www.horsemagazine.com\/thm\/2020\/10\/civilised-riding-george-monica-theodorescu\/","title":{"rendered":"Civilised Riding – George & Monica Theodorescu"},"content":{"rendered":"

\"opener\"Chris Hector reports on a visit to Gest\u00fct Lindenhof \u2013\u00a0home of George and Monica Theodorescu\u2026<\/strong><\/p>\n

George and Monica Theodorescu are cultured, refined people, and they ride and train just like that\u2026\u00a0On the morning we visit, George is wandering around with his long whip, dispensing carrots and nuggets of wisdom, while Monica has her horse, Whisper, going in such a perfect self-carriage that it is breath-taking. Even when the horse kicks up against the whip when asked for a little more in the piaffe, his neck and nose remain in perfect position \u2013 the neck stretching up out of the wither, the nose just a touch in front of the vertical, and that is where it has been all working session. Later I remark to Monica that this does not usually happen\u2026 she seems to think it is normal.<\/p>\n

\u201cIf I ask a little more behind, he has to have the possibility to go forward, so I definitely don\u2019t pull back.\u201d
\n<\/a><\/p>\n

\"4mrt\"That\u2019s the theory, but it doesn\u2019t usually happen that way. Usually when people are having an argument with a horse they end up losing their nice outline\u2026<\/p>\n

\u201cThe horse always has to have the chance to go forwards, always. Even if you ask a little more behind or say, hey, wake up a little, he has to have the chance to go forward, and never be afraid.\u201d<\/p>\n

He never ever came behind the vertical\u2026<\/p>\n

\u201cI don\u2019t see it but the contact that I want to achieve is from pushing the horse from behind, from getting it active and engaged behind, through its back, through the neck and then into the contact. But never ever is the contact from the front to the back, that is why he shouldn\u2019t be behind the vertical. I want a contact; he\u2019s not light because then he would be behind the bit and behind the vertical. I had a contact at all times but it is up to me how much, or how little. He is at the stage where he has enough self-carriage. I don\u2019t have to carry him, he is coming under enough, and he is strong enough. The half halts really get easy and come to a suppleness so he is light in front, but I still have a contact.\u201d<\/p>\n

story continues below the advertisement<\/em><\/p>\n

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When we arrive Mr Theodorescu is finishing a training session with the Russian team member Alexandra Korelova and her horse Balagur. The pair were a sensation when they appeared at Aachen in 2005, then came back in 2006 to finish a remarkable 7th at the Aachen CHIO that was held in May to leave the traditional space for the WEG. Then it all fell apart for poor Alexandra, who having returned to Russia, found that she could not get a visa to return to Germany \u2013 and her horse! Finally after the intervention of the WEG boss, the rider arrived at her trainer\u2019s barn in Germany, ten days before the World Championships were to begin, and with no opportunity for warm up competition. Not surprisingly, they didn\u2019t do all that well\u2026\"whistle\"<\/p>\n

Balagur is a strange looking beast, and was apparently earning an honest crust as a police horse, when Alexandra\u2019s previous competition horse hurt himself and had to be retired. \u201cThe horse was somewhere four hours the other side of Moscow,\u201d George recalls, \u201cSiberia! They said come and look at him. No, you send a video. But you could see that he had wonderful movement. Just one flying change, right to left, but I said that is alright, it was a communist country. They told us, he is very quiet, when we take him to the football, he stands still for hours and nothing worries him. And when we got him here, he is such an intelligent horse\u2026\u201d<\/p>\n

Alexandra is now free of her visa troubles and working at the Theodorescus, and she and Balagur look to be hitting top form in the lead up to the European Championships in Italy in September.<\/p>\n

When you visit Gest\u00fct Lindenhof there is a comforting familiarity, the dog population is always the same. There is always a French Bulldog, that belongs to Mrs Theodorescu, a Greyhound that belongs to Mr Theodorescu, a Fox terrier that belongs to Monica, and the Rottweiler guard dog. The cast may change with the passing of time, but the characters remain the same, and Terry \u2013 Monica\u2019s new young \u2018terror\u2019 \u2013 is a real character. She keeps appearing in the arena with carrots she has filched from the horses.\"moremonicapiaffe2\"\u201cShe is a cannibal,\u201d Monica remarks, \u201cThe worst thing is when she gets a carrot and then eats it in front of a horse cross tied in the stables.\u201d<\/p>\n

Carrots play a large part in the daily life at Lindenhof \u2013 Mr Theodorescu always has a pocket full, and a knife to cut them into horse sized chunks. \u201cPeople say to me, \u2018I would never do that \u2013 never give the horse carrots, they must do what I tell them, they must do it\u2019. Why? When you ask them something new, they are a bit afraid, but if they like you, they know your voice, they know you have something for them, it makes it easier. They are very intelligent, we\u2019ve got to find a way to talk to them.\u201d<\/p>\n

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As Monica rides around the hall, the little dog runs in front of her, every four or five strides it just puts in a leap of joy, like a little deer. Finally Monica shoos her away and Terry decides that my lap looks a workable alternative.<\/p>\n

Where the dogs sit is an important consideration round here. One time, two dark suited reps of the local Mercedes dealer, arrived with the latest, greatest model, and on a special special price for their good customer, Mr Theodorescu. He took one look, \u201cbut there are bucket seats in the back, my greyhound will not sit on bucket seats, bring me one with a bench seat.\u201d \u201cThey don\u2019t make this model with bench seats.\u201d \u201cIt is a very nice car, and a very generous offer, but please take it back then.\u201d\"3monicaterry\"<\/p>\n

 <\/p>\n

George Theodorescu\u2019s unique equestrian philosophy is the product of what he learnt first in his native Rumania, but also later when he found himself in Germany:<\/p>\n

\u201cI had the chance in Rumania to work with a very very good trainer, then when I came here, everything was so organized, the shows, the classes\u2026 even in Germany now many things have changed, but in the past I think things were more serious in the way people worked the horses \u2013 and also the test. Today everybody says we don\u2019t have much time but when I came to Germany, the Grand Prix was 16 minutes long \u2013 now it is seven minutes. They say it must be shorter because we don\u2019t have the time, but with horses if you don\u2019t have the time, then better you don\u2019t do it.\u201d<\/p>\n

story continues below the advertisement<\/em><\/p>\n

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\u201cThe horse has four legs, that is our problem as riders. We have a very different balance, people on two legs, and the horse on four legs. The rider can turn like a soldier, left to right, with horse you have to make a turn, and that\u2019s the problem that is in no other sport. The horse and the rider, with such different balance, and the two must arrive to the same balance, that takes talent and work. If you look at the high wire artist in the circus, if they want to make it harder, they put another person on his shoulders, and if that person makes a mistake, they both fall down. But they both have the same balance, the same rules: the horse and the rider, they have completely different balance.\u201d<\/p>\n

Meanwhile, Alexandra has got off Balagur, and decides that he needs to walk around the school a few times to cool. She throws the reins over his head, and as she walks off, whistles, Balagur follows behind.<\/p>\n

\u201cHe is such an intelligent horse,\u201d George muses, \u201cAt Athens I was not allowed to work with a whip from the ground in the warm up, so I took out my handkerchief, and waved it in rhythm, the horse responded as if I had my whip. The steward came running over and said, you must not use a whip! Where is the whip? I asked.\u201d<\/p>\n

Whisper is a good deal bigger and a totally different style of horse from the charming little grey Trakehner mare, Fleur, who Monica lost so tragically a few years back just as she was beginning to win World Cup classes, but both horses share the same quality of absolutely pure rhythm and regularity of pace.<\/p>\n

Again, Monica seems almost surprised that anyone would mention it:<\/p>\n

\u201cThe rhythm, the cadence, has to be the same all the time. Trot, left, right, half pass, circle, the trot has to be the same all the time. That makes it easy for the horse to carry himself. And of course the half halts, which maybe you don\u2019t see, because the half halts should not be seen\u2026 but when I ride I probably do a few hundred half halts in a lesson with one horse. I see it in clinics, you say half halt, people just pull and then go again. The horse has a little break and then goes again, there is an interruption in the rhythm \u2013 and I say, that\u2019s not a half halt, that\u2019s just pulling. A half halt is first you engage the horse from behind, then you just don\u2019t let it out for part of a second, but you still ride with the horse. You never interrupt the rhythm. First you have to engage, the horse comes under, then you do the half halt by keeping the horse on your legs and position and not letting it go again. You feel the horse getting soft in the back and the neck coming up into the contact. That\u2019s a half halt. But you never disturb the rhythm.\u201d<\/p>\n

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 <\/p>\n

Mr Theodorescu has been teaching Alexandra in German, while reminiscing with me in English, but he switches to French for the young working pupil, Rafael Loison. The young man is another correct elegant rider and the horse must go in the \u2018classical\u2019 way. There is no place for \u2018hyperflexion\u2019 in this riding hall:<\/p>\n

\u201cIf someone tried to put the horse\u2019s head right down to the chest here, I would say, jump down off the horse, I don\u2019t want to see that,\u201d George says. \u201cIt is a sacrilege to ride like that. Too much of anything is not good. Too much red wine makes a mess of the table. Riders ask too much, it is better to make haste slowly. See this half pass of Monica and Whisper, it is like a dance, the half pass must be like a dance. Sometimes people will say to me, look at this half pass, there is so much crossing \u2013 but it looks like an epileptic fit: it must be a dance.\u201d<\/p>\n

\"\"<\/p>\n

Monica and Ganimedes – it’s a dance<\/em><\/p>\n

\u201cNow in dressage the problem is that most of the riders, think they don\u2019t have time, and they think they should be quicker. If you don\u2019t have time, don\u2019t ride. You need talent, but you also need patience, you must see the horse like a best friend, not like a machine.\u201d<\/p>\n

\u201cIn the past we were working the horses together with the judges, especially in Germany, the judges mostly came from the Cavalry, and all their lives they had horses, horses, horses, they worked with horses. In the end you got the protocol from the judge with your mark \u2013 what you did wrong, what you did right and what you have to do to be better. If we had a show over three days, then we could make it better from one day to the next. We were working the horses together with the judges. Now we have judges from all different countries, and they give only marks, and we don\u2019t have this protocol any more. Now the riders are confused, one judge gives three, the other judge gives eight \u2013 now you can\u2019t change, because if you do what one judge says, you will have a problem with the other judge. The judges should show the way with your horse, they should help you, not just give the marks. How can you learn when one judges says this is white, and the other ones says, this is black?\u201d<\/p>\n

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Whisper and Monica showing how it is done at the Bundeschampionate<\/em><\/p>\n

Monica finishes the work with Whisper and lengthens the rein and the horse stretches without hesitation, out and long. Monica has had the chestnut since he was a four year old: \u201cI saw him a little earlier than that, at Ann-Kathrin Linsenhoff\u2019s place. It\u2019s her horse.\u201d<\/p>\n

And you get to ride him forever???<\/em><\/p>\n

\u201cI guess so. Ask her. They bought him as a foal and he was raised to be a stallion, he went to the licensing but he wasn\u2019t licensed. They took him home and gelded him, and broke him in. They had two Welt Hits at that time, both coming four years old. One was a grey, the other was Whisper. Ann-Kathrin thought the grey one was a little bit small for her, maybe I would like him. I saw him in the stall, a very pretty horse \u2013 she said, we\u2019ll send him to you. We went through the barn, and I saw Whisper, then they rang and said, we are sending you the grey, but we put the chestnut on too. Just have them both and the one you like better you keep and the other you send back.\u201d<\/p>\n

\u201cAfter one or two months, we sent the grey back. It was very nice, a little bit more advanced than Whisper, more balanced already, but I thought he was more limited. That\u2019s how Whisper came here.\u201d<\/p>\n

What attracted you about him?<\/em><\/p>\n

\u201cThe walk was already very big, the trot was quite normal in the beginning because he was really on the forehand. But I liked the cadence he had, even though he wasn\u2019t showing much, not very expressive, but the cadence and the suppleness in his movement. He was kind of funny with the boys working here at the time. We didn\u2019t have much of a rider for young horses\u2026 he used to put his head down, run off at the wall, and then decide left or right and they would fall off \u2013 that\u2019s what he did at Ann-Kathrin\u2019s too. He wasn\u2019t that he was stupid, just them hanging on to the reins, and he could get rid of them. When he was four and a half, I started riding him daily. He didn\u2019t do it with me.\u201d<\/p>\n

Do you lunge your horses in the over-check?<\/em><\/p>\n

\u201cIt depends on the horse, it depends on what they need. We lunge also with long side reins so they find the contact and the balance, whatever the horse needs. Some need to have the top reins, others, they have to stretch down.\u201d<\/p>\n

With Whisper?<\/em><\/p>\n

\u201cI didn\u2019t do much lunging with him when he was young. Later when he was seven I lunged him with the top rein.\u201d<\/p>\n

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The Theodorescus head rider, Ike Hahn has been with them for twelve years now, and he too, rides lightly, tactfully.<\/p>\n

George likes Ike\u2019s attitude to the horses. \u201cHe had only been with us for three weeks when someone sent us a chestnut horse. I said, here, let\u2019s see what he is like. Ike rode him into the school, and the horse took one stride, then put his two front feet up on the ledge of the school wall. Ike didn\u2019t get mad. He said to the horse, \u2018why are you doing that, don\u2019t be silly\u2019. Then he just swung him around, the horse put his feet on the ground, and took another two steps, and he put his feet on the ledge again. Ike never got mad at the horse \u2013 that I like.\u201d\"monicahalfpass\"<\/p>\n

Despite a life-time training horses, Mr Theodorescu says he still enjoys his time in the Riding Hall: \u201cAlways. For me it is very interesting, the horses they are very different, like the people. Sometimes I have had big success with horses that could not even finish the test with another rider \u2013 you must work with these horses and get their confidence. The confidence is very important because the horses are always afraid of something new, and if they have had a bad experience, you need a lot of time and patience to convince the horse that everything will be okay.\u201d<\/p>\n

\"monicageorg\"<\/p>\n

This article first appeared in The Horse Magazine in 2007, the year of George’s death. George Theodorescu is no longer with us, but his teachings live in the world of civilised riding….<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

We present a tribute to the late, great, George Theodorescu… one of so many teachers who kept alive the flame of civilised riding<\/p>\n","protected":false},"author":1,"featured_media":9412,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[81,4],"tags":[27,20,34],"class_list":["post-9410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-breaking-news","category-dressage","tag-classical-principles","tag-dressage-training","tag-georg-theodorescu"],"acf":[],"post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/9410","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/comments?post=9410"}],"version-history":[{"count":6,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/9410\/revisions"}],"predecessor-version":[{"id":56355,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/posts\/9410\/revisions\/56355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media\/9412"}],"wp:attachment":[{"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/media?parent=9410"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/categories?post=9410"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.horsemagazine.com\/thm\/wp-json\/wp\/v2\/tags?post=9410"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}